New twist on an old task: taking a personal approach to illustrating the brain

10:03 a.m.
Maeve Doyle

Viktoriya Khymych, MScBMC Class of 2022, created a remarkable likeness inspired by Art Deco illustrations for her digital neuro-self portrait.

A medical illustrator may well be asked to create illustrations of the brain over the course of their career. But it’s rare that the assignment gets so personal.

"When Neuro was a first-year course, the first assignment was just a very straightforward illustration of the brain in isolation," says Shelley Wall, associate professor at the University of Toronto.

Until this year, students in the Master of Science in Biomedical Communications program created original but standard illustrations of brains, in whole or in section. The illustrations consolidated their knowledge of the anatomy and developed their digital rendering skills.

Rescheduling the course Neuroanatomy for Visual Communication from first-year curriculum to second-year gave Wall, the course instructor, the opportunity to challenge the design and rendering skills of the graduate students.

Innovating course content

"In first year, students are still finding their way in anatomical illustration. Now that Neuro is a second-year graduate course, I could take it to the next level because the students' skills are so much more developed. So I conceived the neuro self-portrait assignment," she says.

In Neuroanatomy, students learn the structure and function of the brain and the cranial nerves. They engage in interactive exercises, examine brain specimens and skulls, study historical and contemporary texts, and watch videos of dissections.

"Drawing the brain is one thing. You must make it accurate. But what makes this assignment so different is that you really must understand all the important relationships between the brain, the brain case, and the external features of the head. And making the assignment a self-portrait is a way of making it also a completely unique illustration that really puts the students’ stamp on it and allows them some creativity," she says.

Exceeding expectations

Even working within the constraints of the course assignment, and the strict parameters of depicting the brain with accuracy, the second-year graduate students delivered a broad range of unique and original illustrations.

Mimi Yuejun Guo, MScBMC Class of 2022, made the neuro self-portrait assignment even more complex by portraying the brain from an upward angle, and at a three-quarter view.

Mimi Yuejun Guo used two different traditional mediums and then digitally composited them to create her self-portrait.

"I used carbon dust to create a black-and-white self-portrait with less saturation and colour to not compete with the brain illustration. I used acrylic paint for its vibrant colours and to highlight the brain," says Guo.

Wall says that Guo added a whole new layer of complexity to the assignment by portraying the brain from an upward angle, and at a three-quarter view.

"I chose this perspective to show all the crucial anatomical parts–the cerebral hemisphere, the cerebellum, the brainstem and the origins of the cranial nerves," says Guo.

MScBMC graduate student Sana Khan’s neuro portrait of her brother is an homage to Bourgery’s 19th c. canonical text Traité complet de l'anatomy de l'homme.

Sana Khan’s brother posed for her portrait, which Khan created in a style that references the nineteenth-century anatomical atlas Traité complet de l'anatomy de l'homme written by Jean-Baptiste Marc Bourgery, and illustrated by Nicolas Henri Jacob.

"Rather than “ghost” the brain over the portrait, I wanted my illustration to look in vivo–as if you could pull back flaps of skin and tissue to see the brain within," says Khan.

The homage to Bourgery’s canonical text also adds a touch of whimsy to the illustration, Wall says. “I like to think that this assignment not only challenges the students, but let’s them have some artistic fun as well.”

Shehryar Saharan, MScBMC Class of 2022, used his father's own unique brain scans to create a neuro portrait and an infographic to explain the difference between a normal and tumourous pituitary gland.

One student in Wall’s course had his own father's unique brain imaging data to work with.

In 2020, Shehryar Saharan’s father was diagnosed with a pituitary tumour. As a patient, his father received copies of his MRI brain scans.

"Before my father's surgery in 2021, I tried to help him understand his condition better. I was shocked by the lack of high-quality visuals available to explain the tumour in relation to the optic nerve and the rest of the brain. When this neuro assignment was introduced, it became the best excuse to help fill this void and create a neuroanatomy visualisation that would explain my dad's condition in a meaningful and simplified way," says Saharan.

Saharan asked his father to pose for the portrait and he used his father's brain scans plus many other references to illustrate the brain and the tumour.

Saharan says that his father, whose surgery was a success, loves his neuro portrait. "After my dad saw the finished piece, he was better able to understand what he had gone through. He said he wished that he had had it earlier."

The Biomedical Communications program continually evolves by adding new courses to the curriculum and new assignments to courses. Wall says that the innovative neuro self-portrait assignment is, for medical illustrators, the perfect intersection of complexity and accuracy, and creativity and originality.

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Links referenced in the story

Shelley Wall’s web page: http://www.shelleywall.layfigures.com/

Neuroanatomy for Visual Communication: https://bmc.med.utoronto.ca/required-curriculum/#MSC2012

Mimi Yuejun Guo’s web site: https://www.mimiguoart.com/

Sana Khan’s web site: https://www.sfkhanvisuals.com/

Shehryar Saharan’s web site: https://www.ss-design.site/

Anatomy of a Data Visualization: Telling stories with your data

A workshop by Shay Saharan, Michie Wu, and Amy Zhang, MScBMC Class of 2022

Friday, February 25, 2022
1:00-2:00PM EST
Online (Zoom)
Register to attend: https://bit.ly/anatomy-dataviz

Data visualization is a powerful tool for telling meaningful stories with data. It helps us see patterns and trends that we might not have noticed otherwise, or tell a story that’s more compelling than numbers in a table.

This workshop will increase your understanding of data visualization. You will learn how to select the best visualization type for your data and audience, and improve its effectiveness using graphic design. You will also be introduced to some of the tools necessary for visualizing your data.

(Offered through the Graduate Professional Development Conference 2022 hosted by the Robert Gillespie Academic Skills Centre.)

All members of the University of Toronto graduate community are welcome to attend.

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Links included in announcement

Shay Saharan’s web site: https://www.ss-design.site/

Michie Wu’s web site: https://www.michiewu.com/

Amy Ke Er Zhang’s web site: https://www.amykzhang.com/

Graduate Professional Development Conference 2022 brochure: https://www.utm.utoronto.ca/asc/sites/files/asc/public/shared/pdf/gpdc/GPDC%20Winter%202022_Program2%282%29.pdf

2022 BMC speaker series: Jerry Gu, Scientific Creative Lead at BioRender

Jerry Gu, MScBMC, Class of 2018.

Cultivating Competencies for the SciCom Job Market

Why do interviewers ask certain questions about your past? As BMC graduands about to enter exciting careers in science communication, you will inevitably participate in competency interviews. In his talk, Jerry Gu will explore the what, why, and how around career competencies, so you can be intentional and crush future job interviews.

Date and Time:
February 25, 2022
2:00 p.m. to 3:00 p.m. ET
One-hour presentation including Q&A.

Missed the session? Watch the recorded session presentation here: https://vimeo.com/685292086/e6c8aceb04

BMC Speaker Series 2022–Tricks of the trade full program: https://bmc.med.utoronto.ca/news-events/2022/02/21/bmc-speakers-2022


Jerry Gu is the Scientific Creative Lead at BioRender. He has a background in biochemistry and graduated from the University of Toronto’s Biomedical Communications program in 2018. Jerry is passionate about scientific illustration, solving product challenges, and team management.

Welcome back to campus

The University of Toronto resumes in-person learning and activities across its three campuses on February 7.

Thanks to Alex Ka Hei Ho, a second-year graduate student in the biomedical communications program, for our tiger poster.

We took inspiration from 2022's Lunar New Year–the Year of the Tiger–to welcome home our biomedical communications family, and the entire University of Toronto community. It's so good to see you.

Here's to facing the future with the courage and strength of tigers!

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Link referenced in announcement

Masks, ventilation and vaccines: Three key ways U of T is preparing for a safe return to in-person activities: https://www.utoronto.ca/news/masks-ventilation-and-vaccines-three-key-ways-u-t-preparing-safe-return-person-activities?utm_source=UofTHome&utm_medium=WebsiteBanner&utm_content=UofTtoSafeReturnPreparation


BMC graduate creates animation for freshwater ecology education

Brittany Cheung, a 2021 graduate of the Master of Science in Biomedical Communications program, created the short animated film The Impacts of Road Salts on Freshwater Ecosystems to communicate to the public important research findings about the effect of road salts on aquatic ecosystems.

The animation was inspired by and uses research from Associate Professor Shannon McCauley's lab in the Department of Biology at the University of Toronto Mississauga. Among other things, McCauley studies the carryover effects of high salinity on dragonfly larvae.

Photo of Brittany Cheung, MScBMC 2021

Brittany Cheung, MScBMC 2021

Cheung, who also holds a B.Sc. in ecology and evolutionary biology, says that road salts are not commonly thought of as a pollutant. "But when road salts are washed into our freshwater ecosystems, the increased salinity leads to less healthy ecosystems that are biased towards salt-tolerant species," says Cheung.

The animation informs a general audience about the impact of road salts on freshwater ecosystems. It encourages pro-environmental behaviour by cultivating appreciation of, and empathy for, freshwater ecosystems and their denizens. The animation also encourages hope and self-efficacy–rather than fear–and presents practical individual solutions, as well as collective ones.

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Links referenced in story:
Brittany Cheung's website https://www.bcheungbiomedicalillustration.com/
Link to animated film: https://vimeo.com/589890589
Shannon McCauley's website: http://www.shannonjmccauley.com/

Introducing the MScBMC Class of 2021

We are pleased to welcome our newest members to the Biomedical Communications alumni family.

After only five months of in-person training and education, this remarkable and resilient cohort successfully completed the remainder of their 24-month program online. (Thanks, COVID.)

Congratulations to the MScBMC Class of 2021!

Top row, left to right: Ingrid Barany, Jennifer Barolet, Brittany Cheung, Eric Chung
Second row: Jennifer Zheng Gu, Katrina Hass, Cassie Hillock-Watling, Jennifer Lee
Third row: Chloe Xiaoyi Ma, Colleen Paris, Ariadna Pomada Villalbi, Yu Xiang Ren
Fourth row: Margot Riggi, Ava Schroedl, Martin Shook, Willow Yang

BMC prof and alumna use graphic medicine for trauma psychoeducation

In a project overseen by trauma therapists Abby Hershler and Lesley Hughes, biomedical communications alumna Patricia Nguyen (Class of 2018) and BMC associate professor Shelley Wall co-edited Looking at Trauma–A Toolkit for Clinicians.

Published this autumn by Penn State University Press, the workbook presents twelve psychoeducational models of trauma, which Nguyen (MScBMC 2018) translated into graphic medicine comics. The illustrations are accompanied by introductions that describe how these visual models might be used in therapy.

This sample of Patricia Nguyen's work shows how a single visual metaphor can be a powerful explanatory tool–in this case, explaining how a present-day trigger evokes a response fuelled by strong emotions from past trauma.

Hershler, Hughes, Nguyen and Wall designed Looking at Trauma to be an easy-to-use, accessible, and engaging resource for health-care professionals who provide psychoeducation to clients with histories of childhood trauma.

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Looking at Trauma–A Toolkit for Clinicians: https://www.psupress.org/books/titles/978-0-271-09207-2.html

Biomedical Communications students create science trading cards

Move over Pokémon–BMC SciCards are here!

7:15 a.m.
Maeve Doyle

BMC SciCards banner image by Shehryar Saharan.png

Inspired by the Pokémon collectible trading cards of their childhoods, biomedical communications graduate students Shehryar (Shay) Saharan and Michie (Xingyu) Wu developed the BMC SciCard Collaborative project.

Michie (Xingyu) Wu and Shehryar (Shay) Saharan, both MScBMC Class of 2022, co-created the extra-curricular BMC SciCard Collaborative project. Photo credit: Dave Mazierski

Michie (Xingyu) Wu and Shehryar (Shay) Saharan, both MScBMC Class of 2022, co-created the extra-curricular BMC SciCard Collaborative project. Photo credit: Dave Mazierski

"The project began back in February 2021 when Michie and I were talking about ways we could collaborate as a cohort and involve other BMC students," says Saharan, now a second-year student in the Master of Science in Biomedical Communications (BMC) at the University of Toronto.

BMC students are educated and trained in medical illustration and scientific visualization. Saharan, Wu and their cohort completed almost their entire first year in the program online due to the COVID-19 pandemic restrictions.

"We felt like a lot of our projects were individual so we thought why not have a fun side-project that we could all contribute to and also get the incoming BMC students involved in?" he says.

The SciCard Collaborative project is based on the idea of trading cards but with a BMC twist. Unlike Pokémon's imaginary creatures with magical powers, the SciCard "creatures" are real.

"Everyone could choose an animal, a plant, or a molecule with some sort of special ability that can be explained by science," says Saharan, who still has his Pokémon collection of over 200 cards.

Each participant tackled subjects with seemingly impossible traits, then created cards for them. Participants were encouraged to illustrate the card fronts in their own unique, explorative and creative styles. The card backs had to explain the science.

Colour-Changing Crystals by Shehryar Saharan. Saharan first rendered the Panther chameleon in carbon dust. He then scanned and inverted the image so that light and dark tones were switched. This gave the image a nocturnal look and emphasized the "wizardly" nature of the chameleon.

Colour-Changing Crystals by Shehryar Saharan. Saharan first rendered the Panther chameleon in carbon dust. He then scanned and inverted the image so that light and dark tones were switched. This gave the image a nocturnal look and emphasized the "wizardly" nature of the chameleon.

Fascinated by its ability to change the colour of its skin, and curious to learn how, Saharan chose the Panther chameleon.

"The front of the card was called Colour-Changing Crystals. The back shows the different layers of the skin and explains how the structure within the skin allows different light to bounce off and cause that colour-changing effect. So, although it sounds very magical, there are interesting scientific properties to explain it," says Saharan.

First-year BMC graduate student Anaïs Lupu hadn't yet started the program when she received an invitation from Saharan and Wu to participate in the SciCard Collaborative project.

Anaïs Lupu, MScBMC Class of 2023. Photo credit: Dave Mazierski

Anaïs Lupu, MScBMC Class of 2023. Photo credit: Dave Mazierski

"I was excited. I wanted to make a good impression and put my first piece out there," says Lupu, a former Yu-gi-oh! trading card collector and, according to Saharan, a crazy-talented artist.

Spear Kick by Anaïs Lupu. Lupu illustrated her card front in a realistic National Geographic style. She used info graphics to communicate the science behind the bird’s powerful and dangerous kick.

Spear Kick by Anaïs Lupu. Lupu illustrated her card front in a realistic National Geographic style. She used info graphics to communicate the science behind the bird’s powerful and dangerous kick.

"I did a detailed illustration in a Nat Geo style," says Lupu. Her card front is a realistic depiction of the deadly Southern Cassowary on a forest background. A pretty, blue, flightless bird, the Cassowary's special ability is its powerful kick. "This bird is buff," she says. For the card back, Lupu chose to communicate the science through infographics rather than text.

Saharan and Wu organized online meetings for the SciCard participants where they presented their sketches, and gave and received feedback.

"We even met to vote on the strength of the special ability," says Lupu. Like Pokémon cards, SciCards have power rankings or "hit points." Lupu's Spear Kick card has a hit point of 55. Saharan's Colour-Changing Crystals has a hit point of 48.

Saharan describes the SciCard Collaborative project as a precursor to the program’s Information Visualization course and a chance to dive in early to some visual communication principles. "The stakes were low. It was just collaborative and fun and we all got to know each other in the process, too. So, that was really rewarding," he says.

He hopes that, in the future, with a larger collection, there may be an online archive of the artwork and even printed physical copies of the SciCards. For now, the digital files are stored within the BMC program.

Saharan says that he and Wu hope someone will take on the SciCard Collaborative project next year and recruit a new group of current and incoming students to participate. 

Lupu may just be that someone. "I want to do this again next year if it's offered. If not, I'd like to borrow their idea and run it myself."

Biomedical Communications graduate students bring home awards from AMI 2021 Annual Meeting

Due to another year of COVID restrictions, the 2021 edition of the Annual Meeting of the Association of Medical Illustrators, originally scheduled to be held in Phoenix, Arizona was held online between July 20 and 28. Once again, University of Toronto Master of Science In Biomedical Communications (MScBMC) students did extremely well at the conference's Salon event. 

The Salon is an annual exhibition of medical art created and produced by student and professional members of the Association of Medical Illustrators (AMI). MScBMC students took home nearly half of all student awards winning 15 of the 36 total student awards given out. First year MScBMC student Shehryar Saharan won Best in Show for his infographic titled "Orangutan–The Most Endangered Great Ape." Saharan describes the piece, created with pencil, Photoshop and Tableau, as "a comprehensive and intuitive information graphic that communicates orangutan biology and behaviour, and the urgent need for further conservation efforts." 

Shehryar Saharan won Best in Show in the student category at the 2021 AMI Salon for his infographic Orangutan–The Most Endangered Great Ape. The piece was created in consultation with BMC faculty member Jodie Jenkinson, and content expert Leif Cocks…

Shehryar Saharan won Best in Show in the student category at the 2021 AMI Salon for his infographic Orangutan–The Most Endangered Great Ape. The piece was created in consultation with BMC faculty member Jodie Jenkinson, and content expert Leif Cocks (President, The Orangutan Project).

The other MScBMC student award winning pieces are listed below:

  • Brittany Cheung’s “Primary Amoebic Meningoencephalitis”

  • Jennifer Gu’s “Bioluminescent Mushrooms Mock Nature Cover”

  • Jennifer Lee’s Plaque Psoriasis”

  • Chloe Ma’s “Waipo? – A Story of Alzheimer’s Disease in Grandma and My Family”

  • Colleen Paris’s “Multiple Sclerosis

  • Yu Xiang Ren “Lymphatic Filariasis”

  • Yu Xiang Ren, Chloe (Xiaoyi) Ma, and Willow Yang’s “Vaccine Chat”

  • Shehryar Saharan’s “Data Storage in Bacterial DNA”

  • Ava Schroedl’s “Managing Our Waste“

  • Martin Shook’s “Critical Contact and the Burden on the Brain”

  • Su Min Suh’s “Window Chamber Method: A Novel Approach of Cellular Imaging”

  • Su Min Suh’s “Futuristic Approaches of Skin Bioprinting”

  • Michelle Wu’s “Bubble Bee”

Linda Wilson-Pauwels, professor emerita and past director of the BScAAM and MScBMC program (1986-2008) was awarded the AMI's Lifetime Achievement Award. This award acknowledges and honours a medical illustrator whose "life, work and accomplishments have significantly contributed to the profession and fellow illustrators." Wilson-Pauwels, winner of the AMI's Brödel Award for Excellence in Education in 2008, was celebrated for her tireless efforts to advance and support the profession which included more than 30 years of volunteerism to the AMI including a year as its president. 

After a year as president-elect of the AMI, Nicholas Woolridge now assumes the role of president. Woolridge, an associate professor and past director of the MScBMC program from 2008 to 2019, will serve in his new role as the AMI's President until July of 2022.